Yesterday I feel, was a productive day, as we had a seminar with visiting lecturer Nick Galvin. After showcasing our work and ideas, we discussed how we could start thinking about the different ways that we could approach our Major Project in the next semester. As I am concentrating on landscape photography and the abstract, we discussed the various ways that this could be achieved and we looked at a diverse range of artists and their methodologies.
I researched more into a few of the artists that we discussed during the session and looked at the ways that they produced their landscape images in original and exciting ways.
I looked at Gefeller’s work entitled “Supervisions”. For these images, Gefeller employs a technically elaborate method to scan the surfaces of urban sites by means of long-term exposure and photographs from a different perspective (usually a birds eye view) and makes these images by using composites.
Gefeller’s work is simplistic in its nature and has a real quality to it. I like these images due to the simplicity of them and I have an appreciation of the time and effort that it took to produce these works.
Due to the copyright and the notice displayed on the website, I have been unable to display any of David Hockney’s work here on my blog but I have provided a link where the work can be viewed. Hockney’s work that was of particular interest to me was the image entitled “Pearblossom Highway, 11th-18th April 1986” which is a photo collage. Like the work of Andreas Gefeller, it is made from a composite of images and shows a different way of capturing a landscape. The image can be viewed from this link: http://www.hockneypictures.com/works_photos.php.
The Boyle Family are probably best known for their earth studies series of work. The work consists of three dimensional casts taken of the surface of the earth, which record and document random sites with great accuracy. These works combine real material from the site (stones, dust, twigs etc) with paint and resins, preserving the form of the ground to make unique one-off pieces that suggest and offer new interpretations of the environment. These have been displayed and when photographed, actually look like the “real” landscape.
The first image displaying the road and pavement is something that I find intriguing and you can certainly understand that when photographed from straight on, could be confused with being a true part of the landscape.
Space and astronomy is a subject that has always fascinated me from an early age. It’s amazing to think of our position within the known universe and to ponder whether or not there may be other forms of life out there in the vastness of space. I have been trying to think of different ways in which I could incorporate this interest into my photography and this is probably why I was first fascinated by the images created by photographer Alexandre Duret-Lutz and began to create such images. Like the world we live in, they have a mystical and magical quality to them.
This Stereographic Projection was created from the Equirectangular Panorama below.
I absolutely love the Stereographic Projection image. The image has been well shot and it somehow reminds me of being very classic in its nature. An image that I would certainly display.
Carrying on with the planetary theme I continued with my research.
I looked at “Astronomical, 2011” which displays our solar system in twelve volumes. The width of each page is a million kilometres. On page 1 the Sun can be seen and it continues until page 6,000 where we can see Pluto. As the Solar System is so vast in size (average distance from the Earth to the Sun is approximately 150 million kilometres) most of the pages appear black.
A different way to think about the universe and the space that surrounds us…if you have the time and patience to actually go through all twelve volumes.
Nick drew my attention to an image that I had not come across before named “The Pale Blue Dot”
The Pale Blue Dot was taken when the Voyager 1 spacecraft reached the edge of the solar system, 12 years after its launch and travelling at 40,000 miles per hour (64,000 km/h) at a record distance of about 6 billion kilometres. On February 14, 1990, having completed its primary mission, the spacecraft was commanded by NASA to turn around and photograph the planets of the solar system. The image was inspired by the astronomer Carl Sagan’s suggestion. The name for the picture, Pale Blue Dot, became popular when Carl Sagan published a book in 1994, also titled Pale Blue Dot, in which he discussed humanity’s place in the universe and our efforts to explore the solar system. A mind blowing image considering the vast distance that it was taken at. This was certainly a different way of capturing a landscape image.
Andreas Gefeller. 2014. Andreas Gefeller – Supervisions – Works. [online] Available at: http://www.andreasgefeller.com/supervisions/works [Accessed: 3 Apr 2014].
Boyle family. 2014. Boyle Family. [online] Available at: http://www.boylefamily.co.uk/boyle/works/index.html [Accessed: 3 Apr 2014].
Duret-Lutz, A. 2012. Torre de Belém – Stereographic Projection. [image online] Available at: https://www.flickr.com/photos/gadl/11173498266/in/photostream/ [Accessed: 3 Apr 2014].
Duret-Lutz, A. 2012. Torre de Belém – Equirectangular Panorama. [image online] Available at: https://www.flickr.com/photos/gadl/11173580964/in/photostream/ [Accessed: 3 Apr 2014].
Hockney Pictures. 2014. DAVID HOCKNEY. [online] Available at: http://www.hockneypictures.com [Accessed: 3 Apr 2014].
Mishka Henner. 2014. Astronomical – Mishka Henner. [online] Available at: http://www.mishkahenner.com/Astronomical [Accessed: 3 Apr 2014].
Space-Pictures. 2014. Pale Blue Dot – Pictures of Earth from Space – Space Pictures. [online] Available at: http://www.space-pictures.com/view/pictures-of-earth/pictures-of-earth-from-space/pale-blue-dot/index.php [Accessed: 3 Apr 2014].